For the most part, I've grown tired of undead films. Although favorites such as 28 Days Later along with the initial seasons of The Walking Dead were gripping, this category seems largely depleted nowadays. Yet the highly anticipated 28 Years Later has been sitting on my to-watch queue for some time. But, the platform's new Indonesian horror film, The Elixir, succeeded in subvert my expectations turning out quite enjoyable.
Excellent Rhythm and Personal Growth
Among the film's strongest assets is its excellent rhythm. It kicks off using a memorable initial scene in which a peaceful family gathering is violently interrupted when a van plows into the seating section. Out of the van, an extremely undead-looking stranger stumbles out and begins attacking the partygoers. This intense scene is immediately succeeded by a look back, giving viewers to observe the family before the tragedy struck.
In contrast to many undead movies, The Elixir truly allows the audience sufficient time to get to know its main personalities before the carnage ensues. We meet Nes, a married mother with a ex best friend, Karina, has become married to Nes' father—an obviously awkward dynamic. This has predictably led to a rift between Nes and Karina. Then there's Nes' brother, Bang, described as good-natured yet socially awkward, and he loves playing video games with his nephew, Raihan. Her spouse, Rudi, appears to have lately been unfaithful to her. The family patriarch consists of Nes' father, the owner of a popular herbal remedy business named Wani Waras, and he appears to care about just two things: his business and his wife to Nes' ex-best friend. Unsurprisingly, this family reunion is extremely strained.
Invested in the Drama
I became so invested in the family's dynamics and their personal conflicts to the point I nearly overlooked this was a scary movie—something that could seem like a drawback, yet ultimately worked well. The Elixir dedicates a considerable portion of the film depicting viewers the identity of every family member is, and how they contribute to the general turmoil. This emphasis on conflicting traits allowed the audience to connect with the characters enough to be concerned for their fate—a rare feat for this style that often presents individuals only to eliminate them soon after. The Elixir doesn't treat its characters as flat, disposable victims for an army of zombies to devour, thus it's a real surprise when things eventually go wrong.
Evocative of Parasite
The initial scenes from the gathering and the multiple family interactions actually evoke the film Parasite, a tale which disguises itself like a K-Drama featuring somewhat morbid humor prior to making an abrupt shift toward "holy shit" territory. These early moments don't focus too heavily on humor compared to Parasite, but The Elixir nonetheless provides sufficient time to immerse in the setting before everything gets upended.
Unique Infection Source
This movie additionally presents a fairly intriguing reason regarding the origin of the contagious zombification. Rather than an accidental lab leak or some sort of bioweapon, the cause of this infectious condition stems from a recent sample of Wani Waras natural medicines created by Nes' father. Although we do learn something regarding its origins, I wish the film had spent additional focus on how Wani Waras transitioned from a reputable supplier of holistic medicine to creating a lethal potion that appears to contain a highly contagious virus. Despite the limited context, the impact this affliction produces on people is absolutely repulsive, and I appreciate. The Elixir's undead are quick, freaky-looking, and, maybe most disturbingly, constantly grinning. This is a bold decision, but it works. The Elixir's practical effects and computer graphics also appear very realistic, and they're practically guaranteed to trigger a fear of holes.
Capable Characters
More impressive than the disgusting scenes is the cast themselves. Certainly, we see some instances of dubious choices (as in typical undead film), but for the most part, Nes and her family show themselves resourceful and sharp. They also aren't afraid to strike an undead in the head, pierce it using a farm tool, or beat it on the skull with whatever blunt instrument is available instead of freezing like a deer in headlights as death approaches.
Realistic Familial Discord
The Elixir doesn't abandon its themes of familial discord once individuals start turning to the undead, this proved a welcome authentic deviation from the "We don't get along|"We have issues, but you almost died so I instantly forgive you for all your mistakes!" cliché frequently used in end-of-world movies. It's clear, Nes loves her relatives and values her spouse, Rudi, yet it's equally clear she's still holding onto resentment regarding his infidelity of their marriage vows. Once the household gets separated, they decide over the phone to meet up at a nearby spot. But when Bang admits he is unaware the way to the location, Nes expresses an immense amount of frustration on her brother which has obviously been building for years. Nes isn't perfect, and her family—flawed as it is—feel realistic and relatable since the movie doesn't try to promote the notion that a near-death experience instantly cures family tensions. This causes the moments when these characters do show gratitude toward one another seem much more sincere.
Stereotypical Conclusion
In spite of The Elixir's strong efforts to break new ground, the conclusion is admittedly a bit formulaic. The Elixir isn't really presenting any deep insight regarding relatives or community, as well. Rather, it's mostly delivering frights. But they're successful frights, and because the movie allows every personality enough room to develop and doesn't punish them for their imperfections, the result proves a captivating and enjoyable
